Sometime this winter
Mamiya 645 Pro // Acros 100
For the third year in a row, the clouds were thick and uniform when I went to see the sakura at the waterfront. No blue sky was peeking through the blanket of clouds. But this year, I was armed with Tri-x so it was alright.
Mamiya 645 Pro // Tri-X
March 2015
Twigs
Mamiya RB67 // Fuji FP-100C
February 2015
Thanks so much for the Likes! I appreciate it. Your b/w work is so lovely! I especially like the tones you get. Do you develop them yourself? I'm trying to find a lab for mine, because I'm not satisfied with what I'm getting. Then again, it might be user error :)
Hi Chinwe!
I’ve been really loving your work lately. So glad you bought a Hasselblad.
My coworkers at Blue Moon Camera develop all my film. They’ve really dialed in the perfect time and amount of chemistry. I scan it myself on the professional scanner that I work at all day there. It might be a combination of developing, scanning and processing that you notice. I also always meter the same way. Send us a roll and see for yourself if that’s what makes the difference.
Anne
Ace Hotel Portland, August 2014
Mamiya 645 Pro // Delta 3200
The floating homes of Eastlake
Seattle, WA // November 2014
Mamiya 645 Pro // Kodak Tri-X
Coffee date with my friend Betsy at Back to Eden bakery.
Mamiya 645 Pro // Tri-X
October 2014
Portland State Farmers’ Market
Mamiya 645 Pro // Tri-X
October 2014
Almost fall in Paris, a month ago.
Mamiya 645 Pro // Portra 400
Scenes from Avignon.
Mamiya 645 Pro // Portra 400
September 2014
Canal
Paris, September 2014
Mamiya 645 Pro // Tri-X
Jardins du Luxembourg
Mamiya 645 Pro // Tri-X
Paris, September 2014
Coffee at Telescope
Paris, September 2014
Mamiya 645 Pro // Tri-X
Tea with a friend I’ve known for 17 years.
Rouen, France // September 2014
Mamiya 645 Pro // Portra 400 and FP-100C
Villages of Luberon, in the foothills of the French Alps // September 2014
Mamiya 645 Pro // Portra 400